Semi-notes: 1 - 2 - 1 - 3 - 1 - 2 - 2 The “Jazz Minor Scale” is a melodic minor scale, but without any change of notes when descending, see Melodic Minor. To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes Bb, D, and F. For the 3rd Interval (note 2 on the diagram) the distance between Bb and D is 4 half-tones. Let's start our example in the C Major scale. Altered scales include one or more notes that is lowered or raised compared to its main variation. E-flat locrian mode. Arabic Scales overview The Locrian mode is one of the four minor modes (the others being the dorian, aeolian, and phrygian modes), which means the 3rd scale degree is one semitone lower than the 3rd of the major scale. Exceptions from this is possible, although. The chord symbol II could be followed by the letter a to indicate that it is F major chord in root position (ie not inverted) - E locrian mode chord IIa. More details of this interval are at F-perf-5th. G#/Ab: G#, A#, B# (C), C#, D, E, F#, G# / Ab, Bb, C, Db, Ebb (D), Fb (E), Gb, Ab The scale in all keys can be downloaded as PDF. The chord symbol vii could be followed by the letter a to indicate that it is D minor chord in root position (ie not inverted) - E locrian mode chord viia. The note interval name for the 3rd note / scale degree is therefore major, also called M3 for short. Example of a scale, C Altered Ionian #5: C, D, E, F, G#, A, B. Chord Namer: Find the right name for any chord The Modal Scales will probably be kind of complicated in the beginning, but the thing is: they are really just variations of major scales starting on another degree. Here is a complete overview of the modus of C Major: Ionian: The tonic is still C. To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes E, G, and Bb. The roman numeral for number 7 is 'vii' and is used to indicate this is the 7th triad chord in the mode. This tonic chord's root / starting note is the 1st note (or scale degree) of the E locrian mode. Middle C (midi note 60) is shown with an orange line under the 2nd note on the piano diagram. Lydian Dominant), but notice that Lydian #5 is relative to the Melodic Minor. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols iii: So in this key, iii6 refers to the G minor chord in 1st inversion, and iii64 refers to the G minor chord in 2nd inversion. Finally, letter c could be used to indicate that it is E diminished chord in 2nd inversion - E locrian mode chord ioc. The E locrian chord II is the F major chord, and contains the notes F, A, and C. This supertonic chord's root / starting note is the 2nd note (or scale degree) of the E locrian mode. They are in most cases much less used than the main versions. Altered scales are based on the same principles as altered chords. Semi-notes: 1 - 4 - 2 - 2 - 3 Altered Locrian #2 and b4 Two relevant scales are the Altered Locrian #2 (sharp two) and the Altered Locrian b4 (flat four), also known as the Super Locrian. Finally, letter c could be used to indicate that it is Bb major chord in 2nd inversion - E locrian mode chord Vc. Intervals: 1, 2, 3, 4, 5, 5#, 6, b7 More details of this interval are at F-maj-3rd. These note names are shown below on the treble clef followed by the bass clef. The E locrian chord iv is the A minor chord, and contains the notes A, C, and E. This subdominant chord's root / starting note is the 4th note (or scale degree) of the E locrian mode. Detailed information for the scale B locrian. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols io: So in this key, io6 refers to the E diminished chord in 1st inversion, and io64 refers to the E diminished chord in 2nd inversion. More details of this interval are at E-min-3rd. The locrian mode uses the  H-W-W-H-W-W-W  note counting rule to identify the note positions of 7 natural white notes starting from note B. G: G, A, B, C, Db, Eb, F, G Semi-notes: 2 - 2 - 1 - 1 - 2 - 2 - 2 For this mode, all notes have a match, and so the Match? Semi-notes: 3 - 1 - 2 - 2 - 1 - 2 - 1 Finally, letter c could be used to indicate that it is G minor chord in 2nd inversion - E locrian mode chord iiic. The reason for the variation of the scale to include the word “Super” is because the scale is altered five times compared to the Major Scale. F#/Gb: F#, G#, A#, B, C, D, E, F# / Gb, Ab, Bb, Cb (B), Dbb (C), Ebb (D), Fb (E), Gb Intervals: 1, 2b, 2#, 3, 5b, 5#, 7b This guide will include Bebop Scales, Modal Scales and Jazz Minor scales. The roman numeral for number 4 is 'iv' and is used to indicate this is the 4th triad chord in the mode. The Arabic scales in musical notation are available in the member area. One special feature is the quadra-step interval between the first and second scale step. The chord symbol VI could be followed by the letter a to indicate that it is C major chord in root position (ie not inverted) - E locrian mode chord VIa. Chord Search and Index 8. Example of a scale, C Lydian #2: C, D#, E, F#, G, A, B In music, the major Locrian scale, also called the Locrian major scale, is the scale obtained by sharpening the second and third notes of the diatonic Locrian mode. This pattern is repeated for all 7 notes in the mode, resulting in 7 triad chords. To count up a Half-tone (semitone), count up from the last note up by one physical piano key, either white or black. For a quick summary of this topic, and to see the chord quality chart for this mode, have a look at Mode chord. Copyright © 2012-2020 pianoscales.org. a treble or bass clef), there is no possibility of having 2 G-type notes, for example, with one of the notes needing an accidental next to it on the staff (a sharp, flat or natural symbol). To identify the triad chord note names, use the 1st, 3rd, and 5th columns / scale degrees, which are notes C, E, and G. For the 3rd Interval (note 2 on the diagram) the distance between C and E is 4 half-tones. The table below shows the E locrian mode, ordered to show the 7th note as the first column in the table. Looking at the Triad chord table, the name of the triad chord quality having minor(m3) and perfect(P5) note intervals is minor. Scale degree names 1,2,3,4,5,6, and 8 below are always the same for all modes (ie. Nine Tone Scales – sometimes used for jazz improvising. But there are typical scales used in jazz as this overview shows. The table below shows the E locrian mode, ordered to show the 6th note as the first column in the table. It includes a raised fifth and the seventh degree is raised. It is in lower case to denote that the chord is a minor chord. The 8th note - the octave note, will have the same name as the first note, the tonic note. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. And so the complete triad chord name prefixes the root note, Bb, onto this quality, giving us the Bb major chord. Example of a scale, C Altered Pentatonic: C, Eb, F, G, A, The Super Locrian Scale is also known as the Altered Scale but should not be confused with the group of scales categorized as altered.