KSM9 is also amazingly crispy and I find it quite amusing. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. Aside from singers, we’ve seen it working for acoustic artists too, for example guitar players etc. How careful do you have to be in handling? Case in point the beyerdynamic M88tg. Handling noise was also minimal. The microphone uses a ¾-inch, gold-layered, dual-diaphragm design within the shock-mounted head assembly to create the two distinct polar patterns. However, when the stage gets more aggressive and louder, you will need the improved rejection and gain before feedback of supercardioid. Hypercardioids provide isolation from other voices or instruments on stage, and offer increased gain when used with monitors slightly to the side of the singer (vs. directly in front). Summary An optional windscreen for outdoor (or singers who splatter) usage is available. It’s difficult to admit, but the truth is that some “legacy” products still in common usage just aren’t up to the heightened expectations of today’s performers. Features I had the opportunity to test the KSM9 in a midsized regional theater during the afternoon rehersal of a female jazz singer. Shure KSM9 is a professional on-stage condenser mic. Even with the gain raised considerably higher than what was needed to fill the room, not a trace of ring was detected. This makes it almost identical in size to Shure’s KSM9 … Those in the market for a high-end handheld condenser microphone should definitely give the KSM9 a listen. The combination of switchable patterns, increased freedom from proximity effect artifacts, and overall quality sound make for a product sure to win admirers among engineers world wide. There is no doubt whatsoever that the KSM9 excelled in its ability to tolerate changes in the proximity of the singer (ranging from distances of 6” to basically touching the microphone grille) better than any other handheld condenser that I have ever used. The KSM9 also features a electret dual diaphragm capsule that purports to greatly reduce the presence of the proximity effect. can't afford wireless ksm9, go for these. This didn’t come as a surprise, as the KSM9 is rated to handle a maximum of 152dB. "...brings a pair of more unusual but quite useful polar patterns—hypercardioid and subcardioid.". The higher range gets some gentle boost, resulting in more transparency and helping to cut through more easily. The output of these capsules is manipulated electronically to support two pickup patterns, cardioid and supercardioid. Shure KSM9 is a professional on-stage condenser mic. The KSM9 is primarily a premium vocal microphone with a switchable polar pattern (allows users to switch between cardioids and super cardioid). They call it a three-stage grille or simply triple grille. The subcardioid pattern allows wide, even, natural pickup, and can capture a group of instruments or vocalists. As expected from professional equipment, you’ll get that superior quality and low noise levels. Self noise is rated at 22dBA which is a little bit on the high side compared to other handheld condensers such as the Rode S1 and Neumann KMS 104 which both check in at 18dBA. The audio quality was full and balanced, with moderate proximity effect about an inch away from the mic, and detailed high-frequency response. The charcoal finish of the KSM9 I received for review was nicely applied, and had a soft but not spongy feel. Its grille assembly unthreads, revealing the mic capsule and a well-marked switch to select the desired polar pattern. When placed in the same difficult location, at a moderately lower level it did not produce feedback. A quick look at the frequency response chart shows a rising response north of 2kHz, and a rapidly falling response south of 100Hz, neither of which is an undesirable characteristic for a vocal microphone. On the other hand, I’m not aware of another handheld consdenser microphone that is as free from the proximity effect as the KSM9, and male singers who have a problem with the more extended low frequency response of some microphones will probably find the KSM9 to their liking I noticed that the KSM9 seemed to be relatively well isolated from the floorbourne resonances than other microphones I have used in this venue. The electronic circuit is maybe complex but it doesn’t utilize any vulnerable components (such as triodes, crystal oscillators, etc.) With its dual diaphragm design and switchable polar patterns, the KSM9 is the choice for the world's most accomplished vocal performances.